Some context: the Bayeux Tapestry is an
embroidered cloth nearly 70 metres in length that tells with beautiful detail
the story of Harold Earl of Essex and Duke William of Normandy, who were both
at one time designated heirs to the crown of England. When King Edward the
Confessor died in 1066, Harold was proclaimed King, inciting the Norman
invasion of England which culminated in the Battle of Hastings. William (known
to history as William the Conqueror) triumphed and was crowned King, beginning
the Norman occupation of England.
1066:
The Bayeux Tapestry Brought to Life opens where the
tapestry begins, with events years prior to the final battle. First up we meet
Harold Earl of Essex, a great warrior devoted to England, who having
successfully quelled uprisings in Wales has been charged by King Edward to
travel to Normandy and inform Duke William that he (William) is the chosen heir
to the crown of England. Not a pleasant task for a man who thought he would be named
so himself. Both men were skilled soldiers and politicians and the show sets up
their differences in personality and perspective and how they came to believe
that they were the rightful heir to the throne of England.
Small Crown Productions have done a
tremendous job of fitting a complex story with a cast of thousands in to one
hour and a cast of seven. They are helped by the ingenious shifting scenery
which could be taken apart to construct keeps, ships and castles. I was not the
only audience member who when watching the cast yell heave to and construct the
ships for the invasion, wanted to leap up and lend a hand. Simple block-coloured
costumes helped the audience identify the key players as each cast member
played several roles on both sides of the feud.
The cast were clearly enjoying themselves
and worked hard to deliver the story in all its’ dramatic glory. James Trigg, who
portrayed Harold, has the square jaw, beard and booming voice evocative of a
youthful Henry VIII and a great seriousness of purpose, which contrasted well to
the more jovial but equally determined William, played by Silvan Rus. The team
behind the show, lighting, sounds, animation, costuming and of course the
Director Paul Adams, have also done a tremendous job on all the important
minutiae the made the performance so enjoyable.
If you want to brush up on the tale before
the performance, there is a scroll explaining the events and key scenes from
the tapestry for you to peruse. The
scroll also pointed out key characters and pieces of scenery that would be
appearing in the production.
Small Crown Production’s 1066: The Bayeux Tapestry Brought to Life
is a dramatic piece of history brought to life with great enthusiasm.
Educational and enjoyable, it is an excellent original production.
Review of 1066: The Bayeux Brought to Life, presented as part of the 2013 Anywhere Theatre Festival.
Tickets can be purchased through the Anywhere Theatre Festival website or at the door.
See also the Small Crown Productions website or follow them on Twitter.
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